Ten ways to roll

They will see a film, not a demo. Our job is craft: direction, performance, edit, sound and grade — the parts that make a film feel made, not generated.

You do. You receive the masters, the music and voice licenses and a register of every tool and model version used. Note that copyright protection for purely machine-generated material is still unsettled in many countries; the human-authored parts — script, edit, composite — are what carry protection, and we document them.

Yes — that is the rule, not the exception. We composite your real product from approved photography or 3D files. Logos, labels and on-screen text are always added in post, never generated.

Two rounds per deliverable, stated in your quote. The biggest decisions are approved early — script, style frames, animatic — so late changes are rare. Changes after animatic approval are quoted as change requests.

Often. Agencies use us for pitch previs, for production they don't have in-house and for Arabic versions of global campaigns. White-label delivery is available.

When the film needs it. Hybrid productions — a real product shoot, a real presenter, AI-built worlds around them — are often the best answer. Istanbul gives us crews, studios and voice booths minutes away.

A generator gives you clips from a prompt. MoviMax is a production house: our crew owns the idea, the script in every language, the shot selection, the edit, the sound and the final sign-off, and uses generative tools for the heavy lifting in between. Every deliverable passes a human QC checklist, signed off by name.

A 30–60 second commercial with its cut-downs takes 2–4 weeks. Social spots take 3–5 working days, and localization takes 3–7 days per language. Within two working days of your brief you receive a treatment, a timeline and a fixed quote.

It depends on length, languages and how much is shot live, so we quote each project rather than publish prices. Send a one-paragraph brief and you get a fixed quote within two working days. You approve it before work begins, and any scope change is quoted before it is made.

Yes. Native writers adapt the script; Gulf, Levantine or Egyptian voice actors record it; AI lip-sync matches the mouths, checked by a native speaker; and our designers rebuild every on-screen word right-to-left with licensed type. We also deliver English and Turkish versions.

Yes. We turn architectural renders, CAD and site plans into teasers, flythroughs and lifestyle films for developers in Istanbul, Dubai and Riyadh. Every frame that is not yet real carries a visualization label, because buyers trust developers who are honest about it.

We record a consent session on camera and sign a purpose- and time-limited agreement before building a digital twin of your spokesperson. You approve every script, and each video is delivered in 48 hours in Arabic, English or Turkish. Consent can be withdrawn at any time, and we never create twins of public figures without a license.

We are not tied to any one model: we choose per shot from video, image and voice tools such as Google Veo, Kling, Runway, Midjourney, FLUX and ElevenLabs, and finish in DaVinci Resolve, Nuke and After Effects. We use paid commercial plans only and log every tool and model version in a register you receive with the masters.

Yes. Istanbul runs on GMT+3: the same working day as Riyadh and Dubai, within an hour of every Gulf capital and two hours of Western Europe, so reviews happen live. One producer is your single point of contact from brief to delivery.